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Hema Upadhyayat Chemould Prescott Road / Mumbai
Olivian Cha examines the transitional paintings of Sadie Benning
usually in reference to artistic practices that draw from a range of outside disciplines or creative realms
traditional format
#311 November – December 2016 merchandising Hema Upadhyayat Chemould Prescott RoadThis issue explores the interfaces between clubs, clubbing culture and creative communities. The issue is built on two mirroring trajectories. The first addresses club nights, which since the early 2000s have served as backdrops for some of the worlds most vibrant urban scenes: Asian Dope Boys in Beijing and Shanghai (by Milia Xin Bi); Bliss in Vienna (by Natalie Brunner); Clara 3000 in Paris (by Daniele Balice); Dudesweet in Bangkok (by Onsiri
