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Evan Ifekoya at Gasworks
” “That which I am” conjugates the subject and the object
in which he revisits the golden age of unidirectional broadcast media – MTV
Nick Angelo takes a walk through Dustin Hodges’s “Barley Patch
337 WINTER 2021-22 magazine Evan Ifekoya at GasworksThis issue accompanies a time of profound ecological, social, and technological transition. The sculptures of Ser Serpas, cover story for this issue, are emblematic of such transient moments, as Ingrid Luquet Gad notes. These works are the result of a process in which language literally intersects residue materials that for society have become objects of waste, of abandonment. In some sense the worlds ecosystem is gradually losing its boundaries,
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