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Etty was repeatedly encouraged to 'turn from his wicked ways' and make his art 'fit for decent company'
He made no secret of his working-class sympathies (which is perhaps why this sculpture was created showing a lower class boy in strife) and having identified himself too publicly with the Paris Commune of 1871
The large Japanese Kutani vase having an ovoid body enamelled and gilt with a woman and child in a garden on a tomato-red ground
A quality piece of shop fitting furniture and one that slides with ease into a modern interior
Beth Carter; Fighting Clowns I; Plaster Relief; Pre-Edition sub-Religion & Relics Etty was repeatedly encouraged toOrigin: English Period: 21stC Provenance: Direct from the Studio of Beth Carter; Pre Edition Date: c. 2017 Height: 32. 5 Width: 32. 5 Depth: 5 (all at extremities) See here for an introduction to the work of Beth Carter.
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