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James Thackeray
what they're called
These three brilliant screenplays are uniquely accessible cameos of modern fiction as they move from the reassuring naturalism of our most familiar medium to the harrowing ambiguities of McEwan's uncompromising vision of reality
Six hundred years earlier
The Woman in Black Jean-Christophe Grangé James ThackerayArthur Kipps, a junior solicitor, is summoned to attend the funeral of Mrs Alice Drablow, the sole inhabitant of Eel Marsh House. The house stands at the end of a causeway, wreathed in fog and mystery, but it is not until he glimpses a wasted young woman, dressed all in black, at the funeral, that a creeping sense of unease begins to take hold, a feeling deepened by the reluctance of the locals to talk of the woman in black and her terrible purpose.
