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Maar nergens is er een spoor van Moby Dick
gebaseerd op de Villa Pinedo-methode
Maar je gaat ook nieuwe vrienden maken
maar ook meisjes piloot worden
Backstage Anna Helm Baxter Maar nergens is er een"[Simon's] sensitivity to atmosphere is, quite simply, astonishing. His decades long examination of lives lived in the theatre is an invitation into very private worlds, at the second before they become public." CATE BLANCHETT "Simon is on the actor's side and his camera respects all facets of their preparation before going live on stage." VICTORIA BROACKES "Simon Annand has a unique sense of the whole process, the confluence between backstage and
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