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qui ont tous pour point commun de ne jamais arriver à se rencontrer
with organisers and designers being tasked with enhancing the event’s overall experience and atmosphere after people have spent so much time in isolation
\nLe premier cahier présente les travaux de trois photographes qui explorent
un beau braque de Weimar
The Ramble, NYC 1969 HOCKNEY DAVID qui ont tous pour pointIn 1969, Arthur Tress began taking his camera with him on walks through the Ramble, an overgrown corner of Central Park that had become New Yorks best known outdoor meeting place for queer men. Designed as a picturesque woodland in the nineteenth century, by the late 1960s it had grown wild, a hidden, half forgotten place of chance encounters in the middle of the city. For a little over a year, Tress returned again and again, recording the everyday
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