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les deux volumes de Fraise et Chocolat (2006-2007) se sont imposés comme une référence durable
d’objets collectionnés
burning our pupils and then settling inside us in a precarious defensive structure
en ténèbres ou en lumière
Divine Color : Hindu Prints from Modern Bengal Théo Robine Langlois les deux volumes de FraiseUnder the rule of the British Raj, Bengali artists embraced European techniques not to mimic the West, but to devise a uniquely local visual language that appealed to a diverse audience. Divine Color magnifies this phenomenon through mapping the explosion of popular devotional art through lithographic printing in 19th and early 20th century Calcutta (now Kolkata), then the capital of British India. These vibrant and accessible mass produced images
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